Real Music People

This week, Dwight Yoakam releases Dwight Sings Buck, a tribute to his idol that recalls Buck Owens’ very own excellent songbook albums, 1961’s Buck Owens Sings Harlan Howard and 1963’s Buck Owens Sings Tommy Collins. Sings Harlan Howard arrived early in Buck’s career: it was only his second album, so it shouldn’t be too surprising that his classic sound hasn’t quite gelled yet — he’s relying heavily on steel guitar and fiddle instead of electric guitars, bringing this closer to the vibe of barroom country. Part of the reason this doesn’t quite sound like classic Buck is that he was still getting the Buckaroos off the ground. His right-hand man Don Rich was aboard, yet he’s only on three cuts, playing fiddle (plus a lead acoustic guitar), not his trademark electric guitar, which doesn’t give this album the twangy snap of Buck’s best-known hits, yet it’s possible to hear that sound beginning to take shape here.Dwight’s new offering, do exactly what a songbook album should do: they’re affectionate tributes but they’re thoroughly entertaining in their own right. Plus, they perform a valuable service in turning listeners onto music they may have missed. It’s hard to imagine any Dwight fan that hasn’t listened to a bit of Buck, but after hearing Dwight Sings Buck, they might want to dig deeper into Owens’ catalog and they could bypass those hits comps and start with either of these albums. There might be some hits you’d miss, but you’d get the greatness of the man. Then, after you’re done, you can follow Buck’s lead and dig into Harlan Howard (his lone 1965 LP, All Time Favorite Country Songwriter, a boast that was largely true) and Tommy Collins (start with 2005’s The Capitol Collection), another pursuit that is thoroughly rewarding

This entry was posted on Monday, November 5th, 2007 at 1:13 pm .You can follow any responses to this entry through the RSS 2.0 feed.